1x10 The Wild and the Innocent, written by Thomas J. Wright, directed by Jorge Zamacona and Charles Holland.
quote
O Lord, if there is a Lord, save my soul, if I have a soul--
-- Ernest Renan
The tone shifts in this one, from mere crime to unsalvageable tragedy, which is more Millennium-like, even without a supernatural element.
The plot is like a darker The Sugarland Express (1974) combined with Badlands (1973). A young woman searches for her lost baby, accompanied by a wild and violent boyfriend.
We have a contrast in families: young Maddie's misery with Frank's joyous time with his daughter.
Maddie has been abused by every man in his life. She says to Frank at the end: "You saved me that day. Only man in my life that ever did something nice for me".
Peter Watts is always a Man in Black. He and Frank are confused at one point, and their confusion confuses me. We have the narration of Maddie's letters -- never sent -- which they think are to her father. We know she is writing down her thoughts for the baby: "I never wanted to be one of those people that gets too used to being sad".
Maddie's last lines from prison: "I spend my time thinking of Angel. Praying he ain't thinking of me".
When filming they make a baby cry for a long time. He's too young to be an actor.
Young Jeffrey Donovan -- Burn Notice -- is the dangerous boyfriend, killing too easily. He's scary.
A state trooper is played by Michael Hogan -- Col Tigh in the Battlestar Galactica reboot. His granny was a toaster.